At the conclusion of our Online 7823 Creative Sketchbooks course, students who have satisfied all the syllabus requirements are awarded a certificate by the awarding body, City & Guilds of London. We would like to offer our congratulations too!

Pauline Lynch

Pauline's final assessment piece was this free-standing zigzag book inspired by the industrial architecture of a woollen mill.
Left: Shapes from the weather vanes provided interesting motifs to explore.

Right: the open form of an air vent was the source for some inspired cutting and folding.

Left: A general view of the sketchbook.

Right: The front of the book which features the delicate cow parsley plants which are common in the landscape around the building.



Right and far right: Painting and collage.
Left: A close up of the cut and folded paper air vent.
Left: To capture the movement of the wool through the mill, Pauline has printed from yarn and used collage of photographs and painted papers.
 
Left and right: Pauline's first assessment was based on a landscape theme and documented the area around her home.


Left and far left:
Pages from the book showing painting and collage techniques.



Left and right: Further pages from the assessment book.
Right: A map of the area was a logical inclusion and is altered with painting.

Far right: Exciting leaf shapes are cut out to create a layering of shaped pages.
Far left: the pale trunks of the trees were another dominant feature of the landscape.

Left: Exploring line with pen drawing.
Left: Collage with opaque and semi transparent torn papers.

Right: Cutting and folding of a sketchbook page.




Left and below left: The bird of paradise flower was the subject of these studies.
Left: Exploring repeat pattern with collage and spraying.

Left: Collage of geometric shapes using an assortment of handmade and coloured papers.

Right: Observing and recording the colours from a a bird's plumage.



Right: Experiments with letter forms and printing.

Far right: One of Pauline's compositions with collage in magazine papers.
Left: A page combining bleaching with oil pastel rubbings.

Left: Adding dimension to a sketchbook page with cutting.
Left: Simple shapes are so effective worked with soft pastel through a stencil.

Right: An attractive hand made paper forms an interesting background to further experiments with soft pastels.
Pauline has also successfully completed 7822-42 Creative Computing. To see her exhibition page just click Here.
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© Linda Kemshall 2006